MusiktippsNachhören

Mubi – Soundtrack Mix #32: The Sounds of 2022

The year in movie soundtracks by Florence Scott-Anderton.
My roundup of the year in cinematic soundtracks is a sonic collage of emotion and sensations, mixed together with both pop and orchestral flourishes.



Hildur Guðnadóttir, “Guðnadóttir For Petra (Vocal Version),” TÁR (Tod Field, 2022), 00:00

Excerpt, Vortex (Gaspar Noé, 2021), 1:15

Tindersticks, “Both Sides of the Blade,” Both Sides of the Blade (Claire Denis, 2022), 06:00

Cho Young-wuk, “The Look Of Love,” Decision to Leave, (Park Chan-wook, 2002), 10:00

Excerpt, How Is Katia? (Christina Tynkevych, 2002), 14:00

(edit)Nick Lloyd Webber, “As Far As We Can Go,” The Last Bus (Gillies MacKinnon, 2022), 15:15

John Powell, “Beginners Ballet Class,” Don’t Worry Darling (Olivia Wilde, 2022), 19:00

John Powell, “Whisky by the Hearth,” Don’t Worry Darling, 20:10

Excerpt, The African Desperate (Martine Syms, 2022), 21:15

Martin Dirkov, “The Holy Spider,” Holy Spider (Ali Abbasi, 2022), 22:30

Excerpt, This Much I Know to Be True (Andrew Dominik, 2022), 15:15

Carter Burwell, “The Mystery of Inisherin,” The Banshees of Inisherin (Martin McDonagh, 2022) 28:15

Mychael Danna, “A Feather From A Tate,” Where The Crawdads Sing (Olivia Newman, 2022), 30:40

Excerpt, Wilderness (Doug Aitken, 2022), 32:40

Trent Reznor, “The Great Wide Open,” Bones and All (Luca Guadagnino, 2022), 34:40

Sukhwinder Singh, “Chaiyya Chaiyya,” Ali & Ava (Clio Bernard, 2021) 39:20

Alex G, Casey’s Fair, We’re All Going to the World’s Fair (Jane Schoenbrun, 2021), 45:55

Excerpt, A Chiara, (Jonas Carpignano, 2021), 47:35

(edit)Nick Cave and Warren Ellis, “Goddess Of Love On A Subway Grating,” Blonde (Andrew Dominik, 2022), 49:20

Marco Beltrami, “Dybt Vand Groove,” Deep Water (Adrian Lyne, 2022) 51:30

Pawel Mykietyn, “The Beginning,” EO (Jerzy Skolimowski, 2022), 54:04

Excerpt, Godland (Hlynur Pálmason, 2022), 56:35

(edit)Howard Shore, “Brecken,” Crimes of the Future (David Cronenberg, 2022), 57:35

Excerpt, Hideous (Yann Gonzalez, 2022), 57:35

(edit)Excerpt, Invisible Demons (Rahul Jain, 2021), 60:00

(edit)Exuma, Exuma, “The Obeah Man,” Nope (Jordan Peele, 2022), 60:40

Tyler Bates and Chelsea Wolfe, “Oui Oui Marie,” X (Ti West, 2022), 67:00

Excerpt, The Worst Person in the World (Joachim Trier, 2021), 73:00

Saul Williams, “Matalusa’s Dream,” Neptune Frost (Saul Williams and Anisia Uzeyman, 2021), 74:30

Hildur Guðnadóttir, Elgar: Cello Concerto in E Minor, Op. 85 – I. Adagio – Moderato (Recording Session / Excerpt), TÁR, 75:30

Trent Reznor, “I’m With You (You Seem Nice),” Bones and All, 78:56

Animal Collective, “Phonecall,” The Inspection (Elegance Bratton, 2022) 80:52

Excerpt, Empire of Light (Sam Mendes, 2022), 82:10

Cliff Martinez, Do You Have a Bathroom, Kimi (Steven Soderbergh, 2022), 83:10

Excerpt, The Tsugua Diaries, (Maureen Fazendeiro, Miguel Gomes, 2021), 84:30

(edit)Christopher Spelman, Walking Home, Armageddon Time (James Gray, 2022), 88:00

Tindersticks, “Burning Car,” Stars at Noon (Claire Denis, 2022), 89:00

Alex G, End Song, We’re All Going to the World’s Fair (Jane Schoenbrun, 2021), 92:20

Excerpt, Aftersun (Charlotte Wells, 2022), 93:30

César López, “Memoria (Una película de Apichatpong Weerasethakul),” Memoria (Apichatpong Weerasethakul, 2021), 99:00

Excerpt, Jeen-yuhs (Coodie & Chike, 2022), 101:45

(edit)Excerpt, Cow (Andrea Arnold, 2021), 103:30

(edit)Excerpt, The Souvenir Part II (Joanna Hogg, 2021), 106:40


Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert