MusiktippsNachhören

Mubi – Soundtrack Mix #32: The Sounds of 2022

The year in movie soundtracks by Florence Scott-Anderton.
My roundup of the year in cinematic soundtracks is a sonic collage of emotion and sensations, mixed together with both pop and orchestral flourishes.



Hildur Guðnadóttir, “Guðnadóttir For Petra (Vocal Version),” TÁR (Tod Field, 2022), 00:00

Excerpt, Vortex (Gaspar Noé, 2021), 1:15

Tindersticks, “Both Sides of the Blade,” Both Sides of the Blade (Claire Denis, 2022), 06:00

Cho Young-wuk, “The Look Of Love,” Decision to Leave, (Park Chan-wook, 2002), 10:00

Excerpt, How Is Katia? (Christina Tynkevych, 2002), 14:00

(edit)Nick Lloyd Webber, “As Far As We Can Go,” The Last Bus (Gillies MacKinnon, 2022), 15:15

John Powell, “Beginners Ballet Class,” Don’t Worry Darling (Olivia Wilde, 2022), 19:00

John Powell, “Whisky by the Hearth,” Don’t Worry Darling, 20:10

Excerpt, The African Desperate (Martine Syms, 2022), 21:15

Martin Dirkov, “The Holy Spider,” Holy Spider (Ali Abbasi, 2022), 22:30

Excerpt, This Much I Know to Be True (Andrew Dominik, 2022), 15:15

Carter Burwell, “The Mystery of Inisherin,” The Banshees of Inisherin (Martin McDonagh, 2022) 28:15

Mychael Danna, “A Feather From A Tate,” Where The Crawdads Sing (Olivia Newman, 2022), 30:40

Excerpt, Wilderness (Doug Aitken, 2022), 32:40

Trent Reznor, “The Great Wide Open,” Bones and All (Luca Guadagnino, 2022), 34:40

Sukhwinder Singh, “Chaiyya Chaiyya,” Ali & Ava (Clio Bernard, 2021) 39:20

Alex G, Casey’s Fair, We’re All Going to the World’s Fair (Jane Schoenbrun, 2021), 45:55

Excerpt, A Chiara, (Jonas Carpignano, 2021), 47:35

(edit)Nick Cave and Warren Ellis, “Goddess Of Love On A Subway Grating,” Blonde (Andrew Dominik, 2022), 49:20

Marco Beltrami, “Dybt Vand Groove,” Deep Water (Adrian Lyne, 2022) 51:30

Pawel Mykietyn, “The Beginning,” EO (Jerzy Skolimowski, 2022), 54:04

Excerpt, Godland (Hlynur Pálmason, 2022), 56:35

(edit)Howard Shore, “Brecken,” Crimes of the Future (David Cronenberg, 2022), 57:35

Excerpt, Hideous (Yann Gonzalez, 2022), 57:35

(edit)Excerpt, Invisible Demons (Rahul Jain, 2021), 60:00

(edit)Exuma, Exuma, “The Obeah Man,” Nope (Jordan Peele, 2022), 60:40

Tyler Bates and Chelsea Wolfe, “Oui Oui Marie,” X (Ti West, 2022), 67:00

Excerpt, The Worst Person in the World (Joachim Trier, 2021), 73:00

Saul Williams, “Matalusa’s Dream,” Neptune Frost (Saul Williams and Anisia Uzeyman, 2021), 74:30

Hildur Guðnadóttir, Elgar: Cello Concerto in E Minor, Op. 85 – I. Adagio – Moderato (Recording Session / Excerpt), TÁR, 75:30

Trent Reznor, “I’m With You (You Seem Nice),” Bones and All, 78:56

Animal Collective, “Phonecall,” The Inspection (Elegance Bratton, 2022) 80:52

Excerpt, Empire of Light (Sam Mendes, 2022), 82:10

Cliff Martinez, Do You Have a Bathroom, Kimi (Steven Soderbergh, 2022), 83:10

Excerpt, The Tsugua Diaries, (Maureen Fazendeiro, Miguel Gomes, 2021), 84:30

(edit)Christopher Spelman, Walking Home, Armageddon Time (James Gray, 2022), 88:00

Tindersticks, “Burning Car,” Stars at Noon (Claire Denis, 2022), 89:00

Alex G, End Song, We’re All Going to the World’s Fair (Jane Schoenbrun, 2021), 92:20

Excerpt, Aftersun (Charlotte Wells, 2022), 93:30

César López, “Memoria (Una película de Apichatpong Weerasethakul),” Memoria (Apichatpong Weerasethakul, 2021), 99:00

Excerpt, Jeen-yuhs (Coodie & Chike, 2022), 101:45

(edit)Excerpt, Cow (Andrea Arnold, 2021), 103:30

(edit)Excerpt, The Souvenir Part II (Joanna Hogg, 2021), 106:40


(Visited 75 times, 1 visits today)

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert

Datenschutz-Übersicht

Diese Website verwendet Cookies, damit wir dir die bestmögliche Benutzererfahrung bieten können. Cookie-Informationen werden in deinem Browser gespeichert und führen Funktionen aus, wie das Wiedererkennen von dir, wenn du auf unsere Website zurückkehrst, und hilft unserem Team zu verstehen, welche Abschnitte der Website für dich am interessantesten und nützlichsten sind.